DC Aquaman Aquaman #6 Review

Aquaman #6 Review xMatt http://www.o-r-c.co.uk/media/reviews/photos/thumbnail/400x400s/0b/7c/55/409_aquaman-6-1330205222.jpeg

Written by xMatt     February 25, 2012    
 
3.5
 
0.0 (0)
525   0   3   0   0   0
 

Info

Issue Number
Art (pencils)
Art (inks)
Art (Colours)

Mera, the wife of Aquaman, is the focus of this issue. While Aquaman was out, stranded in the desert, she had remained at home to buy dog food for their new pet. While this is an entertaining issue that provides a closer look at Aquaman's other half, the interesting plot outline suffers from a lack of variety and typical comic book tropes. What works well, however, is fill in artist Joe Prado who finishes Ivan Reis' breakdowns in this issue.

Ever seen Bruce Almighty? Or Ricky Gervais' The Invention of Lying? Comedies with very interesting premises that lose momentum after a while because the jokes and lines fail to deliver on the premise. That's what this issue is like. It has a premise that would make for a very entertaining one issue, but just because the premise is good doesn't mean the plot is.

Mera is as interesting a character as Aquaman - if not more so. Geoff Johns brought her to prominence in the major DC Universe event, Blackest Night, where she became part of the core group of protagonists that fought against the Black Lanterns. She then became another important character in the fallout series, Brightest Day, where her mysterious past slowly unravelled under the pen of Geoff Johns. The trend continued through the New 52's Aquaman series, with Geoff Johns making her a head strong, independent and powerful ally to the King of Atlantis.

This issue focuses entirely on her "meeting the locals". After having spent her life primarily underwater, there is a certain level of naivety to her as she explores the world and those that dwell upon it. The character is enjoyable, but predictable at many parts. It does little to further the plot of the larger story arc encompassing the series, but gives a slight reprieve to the fast paced stories that have come before it. Johns excels in writing Mera, but where this issue falls flat is the way the plot progresses.

This isn't a particularly bad issue - but it wasn't quite as good as the five that came before it.

Editor review

Art:
Ivan Reis' previous issues have been stellar to say the least. His incarnations of Aquaman, Mera and their side of the New DCU has provided them a majestic, unique and interesting look. Providing the breakdowns for this issue, however, means that standard trips up, slightly. Joe Prado, the usual inker and for this issue, finisher, fills in well enough: it retains the similar look and thanks to the colouring of Rod Reis also retains that level of majesty and uniqueness. For the most part, it looks good: the finesse of Reis is missing, but there are some great action shots and interpretations of Mera's hydrokinesis on display here that elevates certain scenes beyond what they are. However, Prado's finishes are inconsistent enough to be noticeable as several faces and bodies are out of proportion. Joe Prado is no Ivan Reis, but his work here is good enough to make the issue enjoyable and readable.

Cover:
Mera is a dangerous and powerful woman. That much is made clear through the cover, her powers on full display and wonderfully rendered by Ivan Reis, Joe Prado and Rod Reis. Their art works in tandem and there is a great level of vibrancy and action from the single page that is sometimes missing on many other covers. Mera leaps off the page, and the colours and inks pop out - all hallmarks of a great cover. Its simplicity is its strength.

Story:
This issue reads as an intermission, or perhaps as filler. It works to provide a closer insight into Aquawoman - I mean, Mera. She's a fun character to read, and as she takes us on a journey of a world we're all to familiar with, her expectations and lack of understanding make for some fun scenes and dialogue. But the conflicts that arise are bland in comparison. They work as minor villains to portray humanity in a negative light, spurning Mera into action. But they're simplistic, predictable and not something we haven't seen done before. The best parts of this issue, however, are clearly in the way that Johns presents Mera's powers against one of these nameless villains, and the flashback scenes.

The flashback scenes work to show that perhaps Mera and Aquaman are closer to each other than what the reader originally thought. It reveals Mera's origin, while at the same time, how she managed to get to where she is today all through her conviction of character and personality. These add an emotional resonance to the issue that the cliche resolution fails to provide. The flashback has dynamic - but the scenes in the present lack impact because we can see it coming. This issue is a fun distraction from the main storyline, and I hope to see more Mera stories told: I just hope they aren't as one-note as this one.
Overall rating 
 
3.5
Art 
 
3.5
Covers 
 
4.0
Story 
 
3.0
xMatt Reviewed by xMatt February 25, 2012
Top 50 Reviewer  -   View all my reviews (26)

Aquaman #6: A Fish Out of Water

Art:
Ivan Reis' previous issues have been stellar to say the least. His incarnations of Aquaman, Mera and their side of the New DCU has provided them a majestic, unique and interesting look. Providing the breakdowns for this issue, however, means that standard trips up, slightly. Joe Prado, the usual inker and for this issue, finisher, fills in well enough: it retains the similar look and thanks to the colouring of Rod Reis also retains that level of majesty and uniqueness. For the most part, it looks good: the finesse of Reis is missing, but there are some great action shots and interpretations of Mera's hydrokinesis on display here that elevates certain scenes beyond what they are. However, Prado's finishes are inconsistent enough to be noticeable as several faces and bodies are out of proportion. Joe Prado is no Ivan Reis, but his work here is good enough to make the issue enjoyable and readable.

Cover:
Mera is a dangerous and powerful woman. That much is made clear through the cover, her powers on full display and wonderfully rendered by Ivan Reis, Joe Prado and Rod Reis. Their art works in tandem and there is a great level of vibrancy and action from the single page that is sometimes missing on many other covers. Mera leaps off the page, and the colours and inks pop out - all hallmarks of a great cover. Its simplicity is its strength.

Story:
This issue reads as an intermission, or perhaps as filler. It works to provide a closer insight into Aquawoman - I mean, Mera. She's a fun character to read, and as she takes us on a journey of a world we're all to familiar with, her expectations and lack of understanding make for some fun scenes and dialogue. But the conflicts that arise are bland in comparison. They work as minor villains to portray humanity in a negative light, spurning Mera into action. But they're simplistic, predictable and not something we haven't seen done before. The best parts of this issue, however, are clearly in the way that Johns presents Mera's powers against one of these nameless villains, and the flashback scenes.

The flashback scenes work to show that perhaps Mera and Aquaman are closer to each other than what the reader originally thought. It reveals Mera's origin, while at the same time, how she managed to get to where she is today all through her conviction of character and personality. These add an emotional resonance to the issue that the cliche resolution fails to provide. The flashback has dynamic - but the scenes in the present lack impact because we can see it coming. This issue is a fun distraction from the main storyline, and I hope to see more Mera stories told: I just hope they aren't as one-note as this one.

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