DC DC Vertigo Northlanders #47 Review

Northlanders #47 Review warriorfist http://www.o-r-c.co.uk/media/reviews/photos/thumbnail/400x400s/ae/db/4d/_northlanders-47-cover-1328250685.jpg

Written by warriorfist     February 03, 2012    
 
3.7
 
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The second Act of the Icelandic Trilogy draws to a close, as Brida Hauksson finds herself outmaneuvered on all ends in the ongoing struggle against the Christians.

“Our blood is in this land.”

In the Cross and the Hammer, we saw the Norse play the role of the invaders and Catholics as the invaded in conquered Ireland. For the last two issues, the roles have been reversed, and the shades are more noticeably greyer. Despite the fact that we have followed the exploits of the Hauksson bloodline for the past five issues- Ulf (the founder of the dynasty) in the first three, then Brida in the last two- it is quite clear to us that theirs is a history steeped in the blood and deceit of a generations-long struggle against their rivals, the Belgarssons. With the latter’s ranks now bolstered through the support of the Christians, however, it is hard not to root for the Haukssons’ side as Brida wages a futile war against the spreading monotheistic influence. That has long been a strength of Brian Wood’s writing- to win readers over through the depiction of complex, clearly-motivated characters. And it’s no exception in here, as well.

Plot:

At the end of another slaughter, Brida finds a welcome surprise in the form of the long-awaited return of her brother, Mar. She is eager to discuss the plans of a united front against the Christians, but then Mar gives her the shock of her life when he announces that he has been converted. It’s a downhill ride from there on.

One after another, Brida is subjected to a long line of humiliations- whether be it the baptism at the hands of her long-hated enemies or her treasuries being siphoned off to the Christians as holy tribute- and we can’t help but echo Brida’s thoughts about the survival of the Haukksson heritage in the face of this assimilation. She eventually suffers a breakdown and storms off into the vast plains. There, she finds the source of a faint hope that she might- just might- be able to ensure the endurance of her bloodline through the oncoming generations, and amidst tears of joy, she resolves to find strength in that hope.

Editor review

Story:

Wood crafts a tale full of emotional turmoil, sticking to a low-key delivery throughout so as not to ruin the delicate balance between the steady pace and the overall plot development that he has maintained so far. He has always focused on a handful of characters and let their perspectives define the story- and that’s what he does here as well. Even Mar is more of an ancilliary figure, a pivot to the viewpoint of the protagonist.

The overriding theme of this issue seems to be change, and how Brida manages to find her footing in the midst of this massive cultural shift. As an addition to an ongoing saga, Commerce:1000 plays its role to perfection. Of course, as an individual issue it fares less well, but it was never intended as such from the moment of its conception. This is atmospheric prose in graphic form; imagine going through a self-contained chapter in the middle of a novel and the confusion that must surely follow!

Art:

Declan Shalvey is successful in marrying the art very well to the mood of the story, cementing the sort of atmosphere required in the execution of Wood’s script. There are some nice symbolisms here and there- the suddenly Jesus-like Mar offerring a cup in the hearth comes to mind. Similarly, through the plains Shalvey conveys the state of loss Brida’s mind was in, how her home was slowly being twisted from its familiar shapes into a strange,almost non-descript form. He is not a master of fine details- even his close-ups are sometimes a bit too plain. Nonetheless, his art is easily more than satisfactory. The dark inks are used sufficiently enough as well, adding to the book’s brooding atmosphere.

Cover:

Massimo Carnevale’s cover is a bit odd, but fitting. Brida stands defiant, sheathed sword slung over her shoulders, while Mar is pensive, staring off into the distance while the gleaming treasures of the Haukksson bloodline lie at their feet. It’s pretty enough to look at, no doubt. Unfortunately, it lacks that extra oomph to truly stand out.

The Verdict:

Brian Wood maintains his usual form as the series heads towards its conclusion. Returning fans will find little reason to complain with this month’s offering. Seeing as the series is knee-deep in a generations-long saga, however, it’s not the best of times for newcomers to venture unprepared into this issue. In that regards, the first Northlanders trade- collecting Sven the Returned- is an excellent read to gauge the overall mood and feel of this historical title. Vertigo’s portfolio remains as robust as ever- and even as it approaches its swan song, Northlander remains a principal attraction.
Overall rating 
 
3.7
Art 
 
3.5
Covers 
 
3.5
Story 
 
4.0
warriorfist Reviewed by warriorfist February 03, 2012
Top 10 Reviewer  -   View all my reviews (92)

Northlanders #47- Commerce: 1000

Story:

Wood crafts a tale full of emotional turmoil, sticking to a low-key delivery throughout so as not to ruin the delicate balance between the steady pace and the overall plot development that he has maintained so far. He has always focused on a handful of characters and let their perspectives define the story- and that’s what he does here as well. Even Mar is more of an ancilliary figure, a pivot to the viewpoint of the protagonist.

The overriding theme of this issue seems to be change, and how Brida manages to find her footing in the midst of this massive cultural shift. As an addition to an ongoing saga, Commerce:1000 plays its role to perfection. Of course, as an individual issue it fares less well, but it was never intended as such from the moment of its conception. This is atmospheric prose in graphic form; imagine going through a self-contained chapter in the middle of a novel and the confusion that must surely follow!

Art:

Declan Shalvey is successful in marrying the art very well to the mood of the story, cementing the sort of atmosphere required in the execution of Wood’s script. There are some nice symbolisms here and there- the suddenly Jesus-like Mar offerring a cup in the hearth comes to mind. Similarly, through the plains Shalvey conveys the state of loss Brida’s mind was in, how her home was slowly being twisted from its familiar shapes into a strange,almost non-descript form. He is not a master of fine details- even his close-ups are sometimes a bit too plain. Nonetheless, his art is easily more than satisfactory. The dark inks are used sufficiently enough as well, adding to the book’s brooding atmosphere.

Cover:

Massimo Carnevale’s cover is a bit odd, but fitting. Brida stands defiant, sheathed sword slung over her shoulders, while Mar is pensive, staring off into the distance while the gleaming treasures of the Haukksson bloodline lie at their feet. It’s pretty enough to look at, no doubt. Unfortunately, it lacks that extra oomph to truly stand out.

The Verdict:

Brian Wood maintains his usual form as the series heads towards its conclusion. Returning fans will find little reason to complain with this month’s offering. Seeing as the series is knee-deep in a generations-long saga, however, it’s not the best of times for newcomers to venture unprepared into this issue. In that regards, the first Northlanders trade- collecting Sven the Returned- is an excellent read to gauge the overall mood and feel of this historical title. Vertigo’s portfolio remains as robust as ever- and even as it approaches its swan song, Northlander remains a principal attraction.

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