DC Batman Batman Incorporated #1 Review

Batman Incorporated #1 Review Kate Fatale http://www.o-r-c.co.uk/media/reviews/photos/thumbnail/400x400s/9c/3d/ff/_batmaninc1cover-1337870068.jpeg

Written by Kate Fatale     May 24, 2012    
 
4.3
 
0.0 (0)
688   0   2   0   0   0
 

Info

Issue Number
Art (inks)
Art (Colours)

“As of now I’m a vegetarian. And this is Bat-Cow.”

Batman and Robin find themselves dodging bullets in a Gotham slaughterhouse as a would-be assassin called Goatboy seeks the bounty Leviathan has placed on Damian’s head.

Make yourselves comfy, because this is going to be a long one.

Synopsis: 
Spoilers ahead; read at your own discretion!

We open in a graveyard on a rainy night. A defeated-looking Bruce tells Alfred to put out the word that Batman is over. A crowd of Gotham cops, including Gordon and Bullock, surround them, guns raised.

A month prior to the opening scene, Batman and Robin are hot on the trail of a gunman who wears a goat’s head mask. The gunman runs into a slaughterhouse, which is still full of workers and cows waiting to be butchered…and more men wearing goat masks. This new terrain proves somewhat helpful to the Dynamic Duo, as the hanging cow carcasses make good shields, but the floor is covered in blood, and the art tactfully suggests how slippery the surface is (more on the art below). It’s quite a brutal fight, with both Batman and Robin inflicting some serious injuries on their opponents.

On the other side of Gotham, Leviathan hosts a dinner party with Gotham’s lesser-known criminals. Everyone dines on slabs of what appears to be raw beef. It’s a merry crew for the most part, and we know this isn’t going to end well.

Back at the slaughterhouse, Damian tackles one of the masked men in a pool of blood. To Damian’s surprise, the man commands an unseen person to shoot, and as Damian lifts the man’s body to interrogate him, a bullet, fired from a nearby rooftop, tears into the man’s back, killing him. Batman dives to push Damian out of the way as another bullet rips through his cape.

Goatboy’s narration fills us in on the details of the mad scene as he flees. We learn that Goatboy is a down-on-his-luck, newly widowed father of a ten-year-old boy. In dire need of money to support his son, he answers Leviathan’s call for Robin’s assassination. He feels bad about the fact that Robin is obviously a young child, but he has to do what he can for his own kid.

With the remaining criminals rounded up in the slaughterhouse, Damian stops a worker from stunning another cow. Batman backs him up and points out that this cow, along with others, has been branded with the Demon Star and is contaminated. Damian christens his rescued bovine Bat-Cow.

Turns out that a member of Leviathan’s dinner party, one of the criminal Brothers Grimm, isn’t willing to relinquish his hold on the West Side to Leviathan, foolishly not realizing that Leviathan has given an order, not a request. His absent brother, he claims, would be able to explain it better. To the man’s horror, Leviathan reveals that the meat on Grimm’s plate was actually his missing brother. Ninja Man-Bats appear behind Leviathan, ready to do her bidding.

In the Batmobile, Robin feels that Batman is lecturing him too much about not killing criminals. Damian reminds him that by killing Otto Netz (see Leviathan Strikes! for details), he saved both Batman and the world. Perhaps chastened a little by Damian’s acidic words, Bruce compliments his son for fixing Waynetech’s finances. Then, true to form, he orders Damian to take his signature hood off as Damian gets back to work. Disabling a Lone Star truck marked with the Demon Star, Damian explains the link between the symbol and the al Ghul family. Their conversation is cut short when a pair of ninja man-bats drops Grimm, head-first, several hundred feet onto the pavement right in front of them. “Looks like your mother’s trying to get my attention again,” Batman says, and father and son exchange a rather helpless look.

Meanwhile, in San Francisco (talk about a scene change), a man walks into a BDSM supplies store, picks up his custom “perv suit”, and steps into a dressing room… which turns out to be an elevator. Arriving in a massive, cave-like room below, he reveals himself as the Hood and receives a warm welcome from the Dead Heroes Club. Turns out that several members of Batman, Inc. who’d appeared to die in the title’s first volume actually faked their deaths. With Leviathan no longer targeting them, they can continue work on Batman’s cause. Their boss, an armored figure called the Wingman, seems to run a tight ship, and I’m sure the reveal of his identity will be quite a big deal in the future.

Back in Gotham, Batman and Robin find another group of criminals with marked Lone Star trucks, unloading more of the contaminated beef. Shaken by his accidental killing of his partner but still determined, Goatboy has followed them. He takes aim at Robin, but is interrupted from firing by Batman.

Sometime later, a very bruised Goatboy stands before Leviathan, alongside another would-be assassin. Leviathan orders the Heretic to kill the other man, prompting Goatboy to claim that he has killed Robin. He presents his cell phone, on which is a picture of Batman screaming as he holds Damian’s corpse.

Editor review

Story: 4.5/5

Grant Morrison’s quite fond of making his entire story a flashback, isn’t he? It works quite well here, since this is the beginning of the end of his Batman epic.

The juxtaposition of the fight inside the slaughterhouse with Leviathan’s dinner party is strong but not overstated, and sets a dark tone for the entire story. Leviathan has promised Batman a war, and what better stage for its beginning (in the new title) than a slaughterhouse?

Conversely, the references to Leviathan are not at all understated. Lone Star trucks and boxes seem to appear everywhere, but what especially points toward Morrison’s love for symbolism is Goatboy’s chosen moniker and costume. Though the issue doesn’t acknowledge it, it’s fairly common knowledge that the inverted five-pointed star is called the Goat’s Head. Had Leviathan chosen the name for him, the symbolism would have seemed part of the narrative, but the fact that Goatboy chooses it himself and it just happens to correspond to a symbol of Leviathan’s true identity seems a little heavy-handed on Morrison’s part. But that’s what we expect from Morrison at this point.

Damian is at his finest in this issue. Other writers have done some absolutely great stuff with Damian, but he’s Morrison’s creation, and his biting personality shines under Morrison’s direction. His immediate response to Goatboy’s partner being shot – to claim that he didn’t do it, rather than being horrified – is classic. The issue’s Damian highlight, however, is obviously Damian’s adoption of Bat-Cow. Damian may be the perfect combination of the personalities of Batman and Talia al Ghul, but he’s also a very young boy, and it’s these moments of sensitivity that make him worthwhile for readers. That he masks his sensitive moments in arrogance is only all the more endearing.

The brief conversation between Batman and Damian in the car is another highlight. No matter how much training in non-lethal fighting Damian receives from the Bat-family, he has still been brought up with the idea that killing can be necessary, and I like the dynamic that creates between him and Bruce.

Goatboy’s story quite reminds me of the Batman: The Animated Series episode “The Man Who Killed Batman.” He’s an unlikely candidate for taking out Robin, but Leviathan certainly meant for her bounty to be answered by the multitudes. He’s clearly in over his head in dealing with Talia, though, and his plea for Leviathan to understand his need to support his ten-year-old son might get him into far more trouble than he can imagine, considering that Leviathan herself is the mother of a young boy.

I’m anxious to see how Talia reacts to Goatboy’s picture. On one hand, the reader knows that Damian is most likely fine since Goatboy was accosted by Batman before he could fire, but Talia can only take Goatboy’s evidence at face value. Her intention in putting a bounty on Damian’s head wasn’t to actually get her son killed but to force Batman’s hand, and if Goatboy can make her believe that her plan has backfired, no doubt she’ll react with destruction. We know from the solicits and from Chris Burnham’s comments in a recent interview that the second issue will heavily feature Talia, so the aftermath of Damian’s apparent death might be quite dramatic.

On the subject of Leviathan (as both the villain and this reviewer’s favorite character, she had to be saved for last here), I found Talia in good form here. Morrison’s Talia has been a divisive subject among fans of the character, but as a villain, there’s nothing more dangerous than Leviathan right now. What I find particularly striking about her is her difference from her father’s methods of destroying the world. Ra’s, while one of the most powerful Batman villains, is nonetheless a charismatic figure who inspires extreme personal devotion in his followers. Leviathan, on the other hand, uses mind control (the wafers in Leviathan Strikes! and the raw beef here, for example) and gains followers through extreme intimidation. As someone who has read almost every appearance by Ra’s and Talia, I feel that, in some ways, Talia shows much less regard for life as a villain in this story, and that’s a powerful weapon against a man with an extremely binary moral code. It seems that she’s learned her father’s methods and modified them into something far darker.

I’m docking half a point from this issue for one reason. Batman’s reaction to the Man-Bats killing Grimm in such a brutal fashion is hilarious, but it does seem a little off to me, put in more for the reader than for the character. Batman really isn’t fond of people being killed, and while Grimm’s death is morbidly funny, it seems to me that he would be a little angry about Talia having a guy smashed onto the pavement just to say hi.

I was pleased to see that Batwing managed to escape the Man-Bats somehow. As for the Wingman, my money’s on Dick Grayson.

We’re off to a great start so far.


Art: 5/5

With the small linework and bright colors, this issue hearkens back to the Grant Morrison/Frank Quitely pairing of pre-reboot Batman and Robin. However, Burnham’s style stands on its own, and is a great complement to Morrison’s writing. The detail work is fantastic, especially in larger panels, where every component seems to have received equal attention; this is especially noticeable in Leviathan’s dinner party.

The slaughterhouse scene stands out, aesthetically. The blood on the floor creates a great sense of precarious motion, and might even make the reader feel nervous as they see Batman and Robin trying to dodge bullets while maintaining traction on that slick surface. Perhaps more importantly, these panels (both linework and colors) emphasize the notion of slaughter.

Leviathan’s mask is horrifyingly grotesque. So many line elements make it appear slightly deformed, which emphasizes its terrifying appearance. One of the subtler related highlights, though, is the appearance of the Man-Bats behind Talia as they enter the room. This issue marks the first time the Man-Bats have shown up alongside Leviathan, and their red eyes and inhuman silhouettes in the doorway are like something out of a good horror movie. I can’t help but wonder if Wingman’s first appearance, stepping out of the shadows, is supposed to mirror the Man-Bats.

My favorite aspect of the art, however, is Damian. He actually looks like a child. Given that his youth is one of the biggest problems of him being Robin, it’s refreshing to see him drawn like a small boy. As he stands next to Bat-Cow (whose face bears a marking that looks like a bat mask), he truly looks like the proud but childish sidekick he is.


Cover: 3.5/5

I actually don’t find the cover all that exciting. There’s nothing really new about it, and the target is eye-catching, but not particularly interesting. At first I found it weird that the shooter seemed to be aiming at Batman, not Damian, but then I took into account that the cover’s caption is “In the Eye of Leviathan,” and the crosshairs are targeting the left side of Batman’s chest…where his heart is. Maybe it’s the English major in me, but now I can’t help but think that the cover is meant to suggest not Goatboy aiming to take out the Dynamic Duo, but Leviathan waging her war against her ex-lover.

It still doesn’t grab me, though.
Overall rating 
 
4.3
Art 
 
5.0
Covers 
 
3.5
Story 
 
4.5
Kate Fatale Reviewed by Kate Fatale May 24, 2012
Top 50 Reviewer  -   View all my reviews (20)

Batman Incorporated #1 Review

Story: 4.5/5

Grant Morrison’s quite fond of making his entire story a flashback, isn’t he? It works quite well here, since this is the beginning of the end of his Batman epic.

The juxtaposition of the fight inside the slaughterhouse with Leviathan’s dinner party is strong but not overstated, and sets a dark tone for the entire story. Leviathan has promised Batman a war, and what better stage for its beginning (in the new title) than a slaughterhouse?

Conversely, the references to Leviathan are not at all understated. Lone Star trucks and boxes seem to appear everywhere, but what especially points toward Morrison’s love for symbolism is Goatboy’s chosen moniker and costume. Though the issue doesn’t acknowledge it, it’s fairly common knowledge that the inverted five-pointed star is called the Goat’s Head. Had Leviathan chosen the name for him, the symbolism would have seemed part of the narrative, but the fact that Goatboy chooses it himself and it just happens to correspond to a symbol of Leviathan’s true identity seems a little heavy-handed on Morrison’s part. But that’s what we expect from Morrison at this point.

Damian is at his finest in this issue. Other writers have done some absolutely great stuff with Damian, but he’s Morrison’s creation, and his biting personality shines under Morrison’s direction. His immediate response to Goatboy’s partner being shot – to claim that he didn’t do it, rather than being horrified – is classic. The issue’s Damian highlight, however, is obviously Damian’s adoption of Bat-Cow. Damian may be the perfect combination of the personalities of Batman and Talia al Ghul, but he’s also a very young boy, and it’s these moments of sensitivity that make him worthwhile for readers. That he masks his sensitive moments in arrogance is only all the more endearing.

The brief conversation between Batman and Damian in the car is another highlight. No matter how much training in non-lethal fighting Damian receives from the Bat-family, he has still been brought up with the idea that killing can be necessary, and I like the dynamic that creates between him and Bruce.

Goatboy’s story quite reminds me of the Batman: The Animated Series episode “The Man Who Killed Batman.” He’s an unlikely candidate for taking out Robin, but Leviathan certainly meant for her bounty to be answered by the multitudes. He’s clearly in over his head in dealing with Talia, though, and his plea for Leviathan to understand his need to support his ten-year-old son might get him into far more trouble than he can imagine, considering that Leviathan herself is the mother of a young boy.

I’m anxious to see how Talia reacts to Goatboy’s picture. On one hand, the reader knows that Damian is most likely fine since Goatboy was accosted by Batman before he could fire, but Talia can only take Goatboy’s evidence at face value. Her intention in putting a bounty on Damian’s head wasn’t to actually get her son killed but to force Batman’s hand, and if Goatboy can make her believe that her plan has backfired, no doubt she’ll react with destruction. We know from the solicits and from Chris Burnham’s comments in a recent interview that the second issue will heavily feature Talia, so the aftermath of Damian’s apparent death might be quite dramatic.

On the subject of Leviathan (as both the villain and this reviewer’s favorite character, she had to be saved for last here), I found Talia in good form here. Morrison’s Talia has been a divisive subject among fans of the character, but as a villain, there’s nothing more dangerous than Leviathan right now. What I find particularly striking about her is her difference from her father’s methods of destroying the world. Ra’s, while one of the most powerful Batman villains, is nonetheless a charismatic figure who inspires extreme personal devotion in his followers. Leviathan, on the other hand, uses mind control (the wafers in Leviathan Strikes! and the raw beef here, for example) and gains followers through extreme intimidation. As someone who has read almost every appearance by Ra’s and Talia, I feel that, in some ways, Talia shows much less regard for life as a villain in this story, and that’s a powerful weapon against a man with an extremely binary moral code. It seems that she’s learned her father’s methods and modified them into something far darker.

I’m docking half a point from this issue for one reason. Batman’s reaction to the Man-Bats killing Grimm in such a brutal fashion is hilarious, but it does seem a little off to me, put in more for the reader than for the character. Batman really isn’t fond of people being killed, and while Grimm’s death is morbidly funny, it seems to me that he would be a little angry about Talia having a guy smashed onto the pavement just to say hi.

I was pleased to see that Batwing managed to escape the Man-Bats somehow. As for the Wingman, my money’s on Dick Grayson.

We’re off to a great start so far.


Art: 5/5

With the small linework and bright colors, this issue hearkens back to the Grant Morrison/Frank Quitely pairing of pre-reboot Batman and Robin. However, Burnham’s style stands on its own, and is a great complement to Morrison’s writing. The detail work is fantastic, especially in larger panels, where every component seems to have received equal attention; this is especially noticeable in Leviathan’s dinner party.

The slaughterhouse scene stands out, aesthetically. The blood on the floor creates a great sense of precarious motion, and might even make the reader feel nervous as they see Batman and Robin trying to dodge bullets while maintaining traction on that slick surface. Perhaps more importantly, these panels (both linework and colors) emphasize the notion of slaughter.

Leviathan’s mask is horrifyingly grotesque. So many line elements make it appear slightly deformed, which emphasizes its terrifying appearance. One of the subtler related highlights, though, is the appearance of the Man-Bats behind Talia as they enter the room. This issue marks the first time the Man-Bats have shown up alongside Leviathan, and their red eyes and inhuman silhouettes in the doorway are like something out of a good horror movie. I can’t help but wonder if Wingman’s first appearance, stepping out of the shadows, is supposed to mirror the Man-Bats.

My favorite aspect of the art, however, is Damian. He actually looks like a child. Given that his youth is one of the biggest problems of him being Robin, it’s refreshing to see him drawn like a small boy. As he stands next to Bat-Cow (whose face bears a marking that looks like a bat mask), he truly looks like the proud but childish sidekick he is.


Cover: 3.5/5

I actually don’t find the cover all that exciting. There’s nothing really new about it, and the target is eye-catching, but not particularly interesting. At first I found it weird that the shooter seemed to be aiming at Batman, not Damian, but then I took into account that the cover’s caption is “In the Eye of Leviathan,” and the crosshairs are targeting the left side of Batman’s chest…where his heart is. Maybe it’s the English major in me, but now I can’t help but think that the cover is meant to suggest not Goatboy aiming to take out the Dynamic Duo, but Leviathan waging her war against her ex-lover.

It still doesn’t grab me, though.

Was this review helpful to you? 
 

User reviews

There are no user reviews for this listing.

Already have an account? or Create an account
 
Powered by JReviews
Posted: 11 months 3 weeks ago by cobbwebb0710 #7334
cobbwebb0710's Avatar
this is the first issue of batman inc. i have read, and i must say i was thoroughly entertained! i picked this up after reading your review! thanks for an awesome, spot on review! im gonna pick the next couple issues up, see where this thing is headed, and possibly add to my pull.
Posted: 1 year 4 hours ago by Kate Fatale #7324
Kate Fatale's Avatar
I feel like such an idiot now -- I didn't notice the VERY OBVIOUS Batsymbol in the blood! Brilliant!

I'm so pleased with this issue. I haven't always supported Morrison's choices, but this one is just so damn exciting. :)
Posted: 1 year 4 hours ago by Kate Fatale #7323
Kate Fatale's Avatar
Since I kept the Talia love to a minimum in the review for maximum reader accessibility this time, I have to say it here:

Hail Leviathan!
Posted: 1 year 4 hours ago by Chifuyu #7322
Chifuyu's Avatar
Lovely review! And I wholeheartily agree with you!

It is good to have Grant Morrison's craziness back on one of the Batbooks. I missed him and his eccentricity dearly.

And Bat-Cow! Omg, Bat-cow! Brilliant. And I would like to point out how the face markings on the cow's face are not the only little easter egg you can find in this panel. The blood on the floor also resembles the Batsymbol! Chris Burnham, you little genius!