DC Other DC Catwoman #5 Review

Catwoman #5 Review Kate Fatale http://www.o-r-c.co.uk/media/reviews/photos/thumbnail/400x400s/c5/69/7d/321_catwoman-5-1327256583.jpeg

Written by Kate Fatale     January 22, 2012    
 
4.7
 
0.0 (0)
567   0   1   0   0   0
 

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Issue Number
Art (inks)
Art (Colours)
Cover Artist

The issue opens with a juxtaposition of Selina’s current predicament (falling from what appears to be a couple thousand feet above Gotham) with a flashback in which Gwen advises young, tu-toned haired Selina that sometimes the best heists are the ones that go wrong. That advice sets the stage for the entire issue.

Falling through the air, Selina manages to snag a girder from a construction site with her whip. Unfortunately, the girder is loose and it turns, sending Selina crashing into the site. Injured and in grievous pain, she’s confronted by Reach, who identifies her power as “anti-gravity beams”. Okay. It seemed like the blue plasma-like beams that shoot out of her hands do a little more than hold things up in the previous issue, but, I guess, anti-gravity beams it is. As Selina struggles to pop her dislocated shoulder back into place, Reach offers to let her go in return for a favor. True to form, Selina refuses and proceeds to kick the crap out of Reach. Reclaiming the sack of money she’d stolen from drug dealers, Selina walks off, reflecting on the hits and misses of tonight’s heist.

Back at GCPD, Detective Alvarez keeps pressing the matter of the seventeen open robbery cases, which he believes were all committed by Catwoman. The lieutenant, however, will hear none of it. Confused, Alvarez watches to see the lieutenant heading into a secret meeting with three other detectives. He listens in and learns that these men were the ones who hired a meta (Reach) to help filter money they themselves have stolen from evidence. Alvarez realizes he’s surrounded by dirty cops, and the reader realizes that what Selina has gotten herself mixed up in is far bigger than a drug deal.

Selina herself realizes this when she counts the money, finding $425,000 instead of the $10,000 she’d expected. She knows that she’s stolen from a big fish and that she should keep her head down for a while, but, being Selina, she can’t. Instead, she treats herself to a spa day. However, the bill she gives one of the spa workers is flagged as stolen. The spa’s manager calls the cops, who arrive to find Selina, now dressed in Catwoman gear, escaping the building. Her escape doesn’t go as planned, however, for the streets outside are barricaded by the police. Selina thinks she can get away by driving her bike through the snowy park, but finds that it, too, is filled with waiting cops. A bullet flattens Selina’s tire and she spills out into the snow, realizing now that the money she stole belongs to dirty cops. The issue ends with Selina surrounded by cops, all pointing their guns at her.

Editor review

Story: 4/5.

This issue continues the welcome trend of featuring exactly what pre-New 52 fans loved about Selina – her absolute independence. Selina has always been her own woman; even when her feelings for Bruce have been at their highest, she has never been willing to take crap from him or any other person in her life as long as she can help it. While Selina’s independence hasn’t really been in question in the series so far, it has taken a backseat to other character elements, like her sexuality. Previously, Selina has often been a blend of deliberate sexuality with an independence that refuses to yield to anyone, no matter how she may feel about them. With the first couple of issues of this title, those elements have been remarkably imbalanced, but finally we’re seeing the scales tip back in favor of the character who has been perhaps the most visible woman in comics for decades.

I like the presentation of Selina as someone who gets into sticky situations without really meaning to. Gotham’s criminals are so theatrical that it’s nice to have the occasional character who really does just want to grab a few diamonds or some cash and go live it up somewhere. If Selina had known she was going after dirty cop money, would she have tried to intercept it? Let’s be honest here – probably so. But a story in which she aims rather small and accidentally finds herself in something much, much bigger is perfect for her. She’s not the Joker; she doesn’t want to permanently traumatize half of Gotham’s citizens in one night. She’s not Ra’s al Ghul; she doesn’t want world domination. She just wants to take the money and run. Unfortunately, even that goal is a bit to lofty sometimes. With some fans still feeling a little trepidatious about the title due to its “more sex than substance” beginning, this story is a welcome one that might bring a few of those readers back in.

Similarly, I enjoyed Selina’s decision to take a few hours to herself before lying low with the money. Once again, that was classic Selina, and though the reader knows the entire time that her delay is going to mean bad news for her later, it’s what many of us would probably expect of her. She spoils herself even in the face of danger even though she knows better, and I think that’s something that will provide previous readers with a fun Selina tradition and, for new readers, a quick but telling depiction of her character.

However, I did think that Reach was disposed of a little too easily. Selina receives far more damage from choosing the wrong girder than from Reach’s attack. I understand that Winick has limited space to work with in each issue, but I feel that Selina’s confrontation with Reach could have been a little stronger. It would also be nice to see more of Detective Alvarez as he struggles to solve the seventeen robberies. Gotham is full of crime, so it’s unlikely that these cases are the only ones he’s dealing with at the moment. Yet he’s focused on these—or, conversely, he might be focused on Catwoman. We don’t really know anything about him yet, so one can’t say for sure.

Art: 5/5.

If DC ever takes March off this title, I think it’s going to suffer. March’s style meshes perfectly with Winick’s writing – both are indulgent, emphasizing sensuality. The panels in which Selina agonizingly pops her shoulder back into place, however, look almost exactly like the panels in which she and Batman had sex in issues #1 and #2, and I’m left wondering if that was intentional. (I hope not.)

As he has in all previous issues thus far, March makes Selina’s face look like a cat’s when she does certain expressions, and the effect is great (and, let’s face it, adorable). This issue saw her at her most catlike when she found out the bag had a lot more money in it than she was expecting. It’s a small touch, ultimately, but it’s one of my favorite things about March’s work on the title.

Another small but worthy touch comes near the end of the issue, when, through the combined efforts of March and Tomeu Morey, armed police officers are reflected as they aim at Selina in the highlights of her slick catsuit. Since she’s lying in snow and the snow has the same color palette as the suit’s highlights, this detail might be easy to miss at first, but once noticed, it steals the show on that particular page. I actually had to pause to admire it.

Cover: 5/5.

Great cover. We have a closeup on Selina’s face as she lies on the ground, injured. One lens of her goggles is shattered, and the other lens reflects Reach. Her suit is torn. Two elements, her whip and a strand of barbwire, are left in black and white, a subtle contrast that gives the cover, for all its sophisticated shapes and colors, a roughness that seems to add depth to the image.
Overall rating 
 
4.7
Art 
 
5.0
Covers 
 
5.0
Story 
 
4.0
Kate Fatale Reviewed by Kate Fatale January 22, 2012
Top 50 Reviewer  -   View all my reviews (20)

Catwoman #5 Review

Story: 4/5.

This issue continues the welcome trend of featuring exactly what pre-New 52 fans loved about Selina – her absolute independence. Selina has always been her own woman; even when her feelings for Bruce have been at their highest, she has never been willing to take crap from him or any other person in her life as long as she can help it. While Selina’s independence hasn’t really been in question in the series so far, it has taken a backseat to other character elements, like her sexuality. Previously, Selina has often been a blend of deliberate sexuality with an independence that refuses to yield to anyone, no matter how she may feel about them. With the first couple of issues of this title, those elements have been remarkably imbalanced, but finally we’re seeing the scales tip back in favor of the character who has been perhaps the most visible woman in comics for decades.

I like the presentation of Selina as someone who gets into sticky situations without really meaning to. Gotham’s criminals are so theatrical that it’s nice to have the occasional character who really does just want to grab a few diamonds or some cash and go live it up somewhere. If Selina had known she was going after dirty cop money, would she have tried to intercept it? Let’s be honest here – probably so. But a story in which she aims rather small and accidentally finds herself in something much, much bigger is perfect for her. She’s not the Joker; she doesn’t want to permanently traumatize half of Gotham’s citizens in one night. She’s not Ra’s al Ghul; she doesn’t want world domination. She just wants to take the money and run. Unfortunately, even that goal is a bit to lofty sometimes. With some fans still feeling a little trepidatious about the title due to its “more sex than substance” beginning, this story is a welcome one that might bring a few of those readers back in.

Similarly, I enjoyed Selina’s decision to take a few hours to herself before lying low with the money. Once again, that was classic Selina, and though the reader knows the entire time that her delay is going to mean bad news for her later, it’s what many of us would probably expect of her. She spoils herself even in the face of danger even though she knows better, and I think that’s something that will provide previous readers with a fun Selina tradition and, for new readers, a quick but telling depiction of her character.

However, I did think that Reach was disposed of a little too easily. Selina receives far more damage from choosing the wrong girder than from Reach’s attack. I understand that Winick has limited space to work with in each issue, but I feel that Selina’s confrontation with Reach could have been a little stronger. It would also be nice to see more of Detective Alvarez as he struggles to solve the seventeen robberies. Gotham is full of crime, so it’s unlikely that these cases are the only ones he’s dealing with at the moment. Yet he’s focused on these—or, conversely, he might be focused on Catwoman. We don’t really know anything about him yet, so one can’t say for sure.

Art: 5/5.

If DC ever takes March off this title, I think it’s going to suffer. March’s style meshes perfectly with Winick’s writing – both are indulgent, emphasizing sensuality. The panels in which Selina agonizingly pops her shoulder back into place, however, look almost exactly like the panels in which she and Batman had sex in issues #1 and #2, and I’m left wondering if that was intentional. (I hope not.)

As he has in all previous issues thus far, March makes Selina’s face look like a cat’s when she does certain expressions, and the effect is great (and, let’s face it, adorable). This issue saw her at her most catlike when she found out the bag had a lot more money in it than she was expecting. It’s a small touch, ultimately, but it’s one of my favorite things about March’s work on the title.

Another small but worthy touch comes near the end of the issue, when, through the combined efforts of March and Tomeu Morey, armed police officers are reflected as they aim at Selina in the highlights of her slick catsuit. Since she’s lying in snow and the snow has the same color palette as the suit’s highlights, this detail might be easy to miss at first, but once noticed, it steals the show on that particular page. I actually had to pause to admire it.

Cover: 5/5.

Great cover. We have a closeup on Selina’s face as she lies on the ground, injured. One lens of her goggles is shattered, and the other lens reflects Reach. Her suit is torn. Two elements, her whip and a strand of barbwire, are left in black and white, a subtle contrast that gives the cover, for all its sophisticated shapes and colors, a roughness that seems to add depth to the image.

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